Interactive Reading of Popular Poetry in El Oued

Abstract

Abstract:
The interactive reading of popular poetry in the Souf Valley with a comprehensive critical perspective remains an unexplored area. The previous perspectives on this subject have failed to generate sufficient debate to provoke questions about its literariness and the literary significance within the experience of popular poetry. The decline in awareness of this issue may be attributed to the limited output and the inability of popular creative expression to confront reality, as well as to societal changes and the pressing issues they bring. This has led us to investigate the levels of reception of popular poetry, which differ from those of traditional poetry. The reader forms a connective structure aimed at integrating the real with the possible and the symbolic with the everyday, rather than separating them.

Thus, the experience of reception aspires to understand the latent aspects of the levels of expression, their semantic and structural relationships in creating meaning on one hand, and the levels of reception that seek to unlock and activate these relationships on the other. This is achieved through interpretive strategies primarily based on exploring symbols and contemplating imagery. A historical perspective on the critique of popular poetry might reveal the delayed trajectory of this experience, which has struggled to deconstruct the symbolism of beauty, reducing it to a socio-historical dimension that conveys little beyond what reality already expresses.